That it does should be attributed not just to the dogged conviction Driver exudes as its righteous hero but also to the film’s unshakeable belief that the ugly truth will ultimately out. Burns’ film is not an easy watch, not least when it depicts what took place in Langley’s infamous “black sites”. Suspiria doesn’t so much nail the Bechdel test as set fire to it and then do a naked victory dance around the flames. This is a film entirely about women and their bodies and their relationships – but that’s not why you should get streaming this immediately. It’s a dazzling, once-in-a-lifetime gathering of Black icons – though neither Powers nor director Regina King are content just to bask in their reflected glory.
A minor confrontation between a cop and an ex-army man snowballs into an escalation of egos and powerplay. Directed and written by Sachy and anchored by two terrific performances from Biju Menon and Prithviraj Sukumaran, Ayyappanum Koshiyumis a fascinating exploration of masculinity and privilege, neatly packaged in a riveting thriller. Rahi Anil Barve’s debut film must be celebrated not only for its ambition, gumption and scale, but also its fascinating exploration of the horror fantasy genre. While looking for a secret treasure in a village in 20th-century Maharashtra, a man and his son face the consequences of building a temple for a legendary demon who’s not supposed to be worshipped. With a strong ensemble cast recreating beloved characters, Abrams gave us an origin story of the USS Enterprise and its colourful crew, led by the Chris Pine’s charismatic James T Kirk. One of Indian cinema’s most iconic comedy, the film takes a deep, dark look into the scandals of bureaucracy and politics.
It stars Nicole Kidman and Javier Bardem as Ball and Arnaz, respectively. In other words, expect breakneck dialogue, memorable lines and rich repartee. Standout Kidman embodies the actress and comedian, bringing heart to the couple’s complex romantic and professional relationship. Even if you’ve heard good things about The Handmaiden, nothing can prepare you for the insane twists this exquisite South Korean movie takes. Classed as aneroticpsychological thriller, The Handmaiden contains explicit scenes you should probably avoid watching with parents around. It all kicks off with a con man wooing a Japanese heiress with the intention of committing her to an asylum once they’re married.
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It’s A Wonderful Life
The film is about a Japanese conman that employees the help of an orphaned pickpocket to help him seduce a Japanese woman out of her inheritance. It’s a 2016 South Korean psychological thriller directed by Park Chan-Wook and inspired by the novel Fingersmithby Sarah Waters. The National Board of Review and the American Film Institute chose the film as one of the top ten films of 2017.
If you prefer unpredictable movies with lots of plot twists, Something Wild is a great find for you. The genre of this film can be described as a relentless mix of a rom-com and a crime movie, which is intriguing in itself. The movie starts as your standard boy-meets-girl scenario but then turns much darker when a third party—the girl’s ex-husband, who’s also a psycho con—comes into play.
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This is the cut that most of Europe has seen and it’s a much faster-paced version of the movie than you might have seen. Okay, so it’s not the purest version of Romero’s movie but it is still well worth a watch. And if you don’t fancy it, then both the theatrical cut and Cannes’ cut are available to watch on Prime, too. This escapist fantasy is unlikely to feature on many top 10 all-time film lists. But it is an absolute must-see in 2020, when we can all do with a break from the real world. Riz Ahmed gives a career-defining performance as a drummer for a metal band who loses his hearing.
Kumail, a Pakistani American stand-up comedian, and Emily, a white psychology student, fall in love and face external pressures from their traditional families. Additional complications arise when Emily falls into a coma, and Kumail must take responsibility for her health. The story is based on Nanjiani’s relationship with his wife, Emily Gordon. In a dystopian future, a violent game show dispenses justice and captivates the masses. In The Running Man, “runners” are criminals who run for their lives from armed mercenaries, hoping to gain a pardon from the government. Adapted from the 1982 Stephen King novel, The Running Man stars Arnold Schwarzenegger as a police helicopter pilot who is framed for a massacre he attempted to stop, and is forced to appear on the show as the latest runner.
AfterMulkandArticle 15, Anubhav Sinha set his sights on domestic abuse in his most recent social dramaThappad. The film stars Taapsee Pannuas a devoted wife whose entire world is shaken after her seemingly loving husband slaps her in a fit of rage. What follows is her messy, turbulent quest for justice and divorce, all while her family, friends and lawyers try and make her ‘see reason’ and not overreact at what was ‘just a slap’. Led by a career-topping performance from Ram Charan, set in the ’80s, Rangasthalam tells the story of an innocent villager with a hearing impairment who gets mixed up in a political feud involving his elder brother.
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The kids peaked too soon and, as adults, are suffering through psychotic breaks, failed marriages, and lackluster careers something Royal tries to right while continuing to lie to them about his life expectancy. It’s a great watch, especially if you’re of fan of the Anderson brand of humor. One of the buzziest films of this award season, Drive My Car won three awards at the 2021 Cannes Film Festival, including Best Screenplay. The Japanese film stars Hidetoshi Nishijima as Yusuke Kafuku, a well-known stage actor and director who receives an offer to direct a production of Uncle Vanya at a festival in Hiroshima just two years after his wife’s unexpected death. Still dealing with the grief, Hidetoshi nonetheless accepts the job, where he meets the chauffeur assigned to him, Misaki Watari .
That change sets up one of the snazziest set pieces in the caper movie canon, as Pierce Brosnan’s art thief, Thomas Crown, stages an elaborate museum diversion to return his stolen prize. Along the way, sparks fly between the enigmatic Crown and Catherine Banning, Rene Russo’s impeccable investigator, with extra juice supplied by a returning Dunaway in a sublime supporting turn; it’s enchanting, intoxicating fun. From the same director who brought you the nightmarish Hereditary, Midsommar is a horror film about a Scandinavian pagan cult and the American students who are lured into it.
Sook-hee is the titular handmaiden, in service to a Japanese heiress named Lady Hideko. In truth, Sook-hee is after Hideko’s fortune, and is operating with the help of a con man. Things become even more complicated when Sook-hee and Hideko develop feelings for each other. This isn’t your typical romance film, and that’s what makes it so exceptional. It holds a current approval rating on Rotten Tomatoes of 93% based on 186 feedbacks and has grossed over $4.3 million worldwide to date.
Director Tomas Alfredson shrugged off the conventions of vampire movies when he crafted a disarmingly charming tale that focuses on the unusual friendship that develops between a bullied young boy, Oskar (Kåre Hedebrant) and a vampire girl Eli . Based on the novel by John Ajvide Lindqvist the film received near-universal acclaim, winning multiple awards across the globe. Pixar’s newest release follows thirteen-year-old Mei Lee, a confident kid who wants to be a dutiful daughter but is also caught up in the chaos of adolescence. However, her family also has a fun little secret that’s going to make things harder. Whenever she feels a very strong emotion, she turns into a giant red panda.
Unable to play his drums or communicate with his girlfriend, he joins a charitable deaf community, hoping to come to terms with his new reality. Ahmed does Ruben with a simmering, panicked intensity, exploring the pain and despair of losing an entire sense and feeling trapped between two worlds. Director Darius Marder treats the hearing-impaired community with a real reverence and respect , and deftly folds it all into a heartbreaking case study of addiction. Based on a “true lie” that writer-director Lulu Wang previously told on NPR’s This American Life, The Farewell is the rare family “dramedy” that doesn’t skimp on either side of that always squishy, often lame neologism. Melancholy without veering into schmaltz and insightful without feeling didactic, The Farewell explores intergenerational family conflict with a deft, mindful touch. If so, you’ll need to engage with this Amy Poehler-directed examination into the lives of Lucille Ball and Desi Arnaz.
Helping to close out a decade of memorable teen films on a dark note, Heathers is a savagely funny deconstruction of the frivolousness of popular cliques that helped set the tone of many dark comedies that would follow in its wake. The plot involves a popular group of girls known as The Heathers who invite Veronica Sawyer to join them, guaranteeing that she would gain popularity by association. Eventually, Veronica finds herself teaming up with a dangerous sociopath in an attempt to break the Heathers’ tyrannical hold on the school.
The film is about a fishing boat captain that’s contacted by his ex-wife as she wants him to kill her abusive new husband. The film premiered at the 2018 Cannes Film Festival on May 15, 2018, and received positive feedbacks overall. The films cast includes William Dafoe, Brooklynn Prince, Bria Vinaite, Valeria Cotto, Christopher Rivera and Caleb Landry Jones.
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